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“Back when I was a university student, it blew my mind to discover that the first Finnish novel had not been written by Aleksis Kivi, but by a woman named Fredrika Wilhelmina Carstens. I also see that moment as the initial impetus for my research and areas of interest,” says Professor of Literature Kati Launis.

At the beginning of 2023, Launis took up her new role at the 91���� as a Professor of Literature, with her work focusing particularly on written culture. She speaks of how her interest in the literary margins, including the lives of women authors, dates back to her undergraduate days. Since then, her research into unknown women writers has produced a whole biography – written as a side project – and she is currently working on a second.

“Of course, research into literary classics is important, and new perspectives on these are needed as knowledge accumulates. But I personally think that the people who remain on the margins are those who, for one reason or another, have never been seen as suitable for lifting into the national spotlight. Could now be the right time to at last highlight their lives and their work?”

According to Launis, when we explore the margins, the historical narrative gets rearranged and we can see things from a completely new perspective.

What if ...?

Indeed, Launis will most likely get to rewrite history through the current Digital History for Literature in Finland research project (Academy of Finland, 2022–26). Its aim is to significantly expand the prevailing understanding of Finland’s literature history with the help of new digital materials and methods. 

“In addition to literary researchers, the project includes computer science specialists. We are combining these fields in a completely new way by studying from Fennica, Finland’s National Bibliography, all the fiction published in book form in Finland in the 19th century. We are studying the metadata from the collection databases and also reading the works themselves. In other words, we are navigating in the space between distant and close reading.”

With the aid of data experts, a list of thousands of works has already been compiled, and it will soon be possible to examine and filter it. The intention is therefore to examine the huge mass of unread works, as it is assumed that the literature people are familiar with from that era is just the tip of the iceberg.

“What if we find from that mass of unknown works a new form of literature that we have not so far even thought to consider? And what will be found behind some of the amusing titles we come across? Are they parodies – although we have always assumed that the literature at that time was very serious and nationalistic?” 

The material also contains a large number of pen names for whom no-one even knows the gender. One area of interest is how many books women were actually writing at that time. Another interesting question is that of when the production of Finnish-language literature surpassed that of Swedish-language works.

“The latest research-based work on the literature of that era is a narrative made by researchers on what literature was at that time. Such a work always includes the researcher’s own subjective assessment and valuation of the historical period. Now, by exploring this great mass of literature, we want to get below the surface, beyond Aleksis Kivi and Minna Canth – without asking questions of value.” 

According to Launis, the most difficult thing is to learn to ask questions in a new way. 

“Fortunately, our research is interdisciplinary. Having got used to examining things and asking questions in the way that is typical in our field, it is great to have experts in computer science and information systems working with us, as they give us completely new questions to ask and, consequently, new perspectives on literary research.”

Biographies make research accessible to the general public

Launis describes herself as conducting strongly contextualising and historical research that particularly highlights issues of gender and class. Through participation in multidisciplinary research projects, she has also studied topics such as reading, working class literature and the significance of illness and childhood in Finnish literature.

Her enthusiasm for women authors has also led her to write two biographies. The first of them dealt with the Hiisku sisters, so it is in fact a ‘triple biography’.

“The three Hiisku sisters were part of V.A.Koskenniemi’s inner circle, so they were publicly right-wing and nationalist, and they were all unmarried. Interestingly, they were able to dedicate their lives to writing and literature without having financial resources from a husband. This was quite unusual in Finland at the beginning of the 20th century.” 

Launis is currently collaborating with the journalist Heli Peltoniemi on a biography of Wendla Randelin, one of the first Finnish female writers. 

“I would like to write more non-fiction books, but teaching, research and administrative work takes up a lot of time. In my opinion, my book writing implements the third task of the university: social impact. I think that literary researchers should in general be more vocal in the public sphere and working to make their research accessible to the general public.” 

Bold opinions instead of nonsense

In order to understand the present, we must also understand the past. In this endeavour, literature and literary research play an important role.

According to Launis, it was still in the 19th century particularly difficult for women to influence social issues by any other means than writing. 

“That is why I feel sympathy for them when viewing their lives from the perspective of the present day. At the same time, this understanding sets in perspective our progress in achieving equality and the question of why we are in the situation we are in today. We have not yet achieved full equality, but we have made huge progress.”

Launis notes that literature can provide us with many new perspectives if we are simply able to switch to a different pair of ‘researcher glasses’. 

"Women's literature was at the time often considered to be rather romantic nonsense, but if you diligently read between the lines and dig into the footnotes, you can find completely fresh and even bold positions and views. It is these that I am particularly interested in.”

KATI LAUNIS

• Professor of Literature, specialised in written culture, 91����, 1 January 2023–
• Doctor of Philosophy, University of Turku, 2005
• Master of Arts, University of Turku, 1996
• Docent, Finnish Literature, University of Turku, 2012

KEY ROLES

• University Lecturer (ma.), Finnish Literature / Literature, University of Helsinki 2020–2022
• University Teacher, Literary Studies (ma.), University of Turku 2022
• Academy of Finland Postdoctoral Researcher 2009–2011
• Numerous teaching and research tasks, University of Turku 1999–2020
• Chair of the Finnish Literature Society (2018–2021) and member of the society’s Election Committee (2022–)

Images of Kati Launis:  ja