Old age and dementia are defined differently in Finland and Russia.

What do you think of when you hear the words old age and dementia? A degenerative memory disorder, a nursing home, the loss of self, or the beginning of the end?
鈥淚n Western countries, old age is largely seen as a biomedical condition 鈥 as if diseases and ailments are an inevitable part of being old,鈥 Early Stage Researcher Anna Kinnunen says.
But how about a different perspective? In Russia, for example, dementia as a biomedical concept isn鈥檛 familiar to the general public: according to a recent study, only 16 per cent of Russians are aware of what dementia is, or what its symptoms are. Instead of dementia, the term 鈥渇eeblemindedness of old age鈥 is frequently used there.
鈥淗ow this 鈥榮tate of being unaware鈥 shapes general attitudes towards old age and old-age ailments is an interesting question,鈥 Docent Maija K枚n枚nen says.
Both K枚n枚nen and Kinnunen work on the DemOldCult project, which studies the cultural meanings of dementia and old age in Finland and Russia.
How the process of physical and cognitive decline associated with old age is represented and valued in contemporary Russian literature is the focus of K枚n枚nen鈥檚 research in the project.
鈥淒ementia as a concept constitutes part of our diagnosis-oriented, pathologising culture that leaves very little room for cultural interpretations and perceptions of old-age frailty.鈥
According to K枚n枚nen, the way in which the tragedy of dementia is represented and interpreted has more to do with the surrounding culture, time and place than with biology.
鈥淚n the end, it鈥檚 about how narrow the concept of being human is, and what the cultural conceptions of health and disease in the context of dementia are.鈥
K枚n枚nen studies whether there are differences in the cultural conceptions of memory disorders and old age between Western and Russian cultures 鈥 and if there are, how they are depicted in literature.
鈥淎t its best, literature offers alternative perspectives on memory disorders, including those of people suffering from them. This way, literature can supplement the one-sided, medical perspective.鈥
The historical perspective of diagnosing dementia, on the other hand, is at the core of Anna Kinnunen鈥檚 research.
鈥淚 have studied case records written in a psychiatric hospital in the 1930s. By analysing their content, I hope to uncover the meanings given to old age and ageing back then.鈥
When patients were admitted to the hospital, the medical staff interviewed their escorts.
鈥淚鈥檓 interested in these stories told by ordinary people: the perspective of a spouse or an adult child, for example. The texts I have analysed often reveal why a patient鈥檚 family thinks he or she has developed an illness.鈥
Typical of psychiatry in that era, symptoms of dementia were explained by old age and the patient鈥檚 ageing body. The stories told by family members, however, had a different angle.
鈥淭he patient鈥檚 unexceptional behaviour could be explained by the time of year, or by a concrete, traumatic event. The patient鈥檚 memory decline was attributed to great sorrow and worries, for example.鈥
Kinnunen considers the Western way of looking at old age as a biomedical concept an artificial one.
鈥淭he observations of my study challenge this way of thinking. When dementia wasn鈥檛 recognised, the symptoms had to be explained in some other way.鈥
Kinnunen says that she of course understands that it is often a relief to have a name and a diagnosis for the disease.
鈥淏ut does a diagnosis of dementia increase people鈥檚 fears of old age, memory decline and physical deterioration? If we didn鈥檛 know about dementia, would our attitudes towards old age be kinder?鈥
DemOldCult project website: 鈥&苍产蝉辫;